Long term Memory in Frontier Preachers at the Soap Factory, Minneapolis, June - July 2009

Winding colored lines meander up and down, roaming vertically on a multidimensional paper surface. These animated forms are based on the changes in the Mississippi river over the past 300 years, as mapped by Army Corps engineer Harold N. Fisk in 1944.

This piece meditates on the difference in scale between human memory and geological time.

Early Spring in Score and Script at the Contemporary Arts Center, New Orleans, February-March 2009; and in Frontier Preachers at the Soap Factory in Minneapolis, June - July 2009

Deep bass tones vibrate and rattle out of sets of small lo-fi computer speakers, while images of flowers open and close, in a frenzy of spinning and pulsing to a bass-heavy beat.

Audio was commissioned from Elliot Hathaway and Christoph Andersson, and Steve Reynolds assisted the mix. Thank you!

Soft Spots in New Media, New Art, at Tulane University's Carroll Gallery and
pictured, left, at Heriard-Cimino Gallery.
October 2007 and January 2008

Soft Spots was created with digital photographs and scans of a Japanese tulip flower, a common ornamental in New Orleans that blooms in the early spring.  In the looping projected image, petals drop from a continually dying and re-blossoming flower.  During a petal’s fall to the ground, a projectile, apparently targeting the petal, misses and sends the petal spinning or flipping, until it gently lands below. 

Hurricane Party at Neighborhoods: Tulane/Gravier
May 2007

A video - installed in the basement of a home flooded by hurricane Katrina - evokes uncomfortable nostalgia for the days when the orb atop the Falstaff Brewery tower blinked coded colors, alerting the neighborhood to weather conditions.
Blinking red meant a hurricane was on its way. Back then, evacuation was uncommon, and the city's residents "battened down the hatches," stocked up on food, water and beer, drank to ease the tension, cooked and ate everything in the fridge when the power went out, and hoped for the best.

Deep Water Dates: an AORTA project
April 2007

Metal plaques mark the high water levels of various flood events in New Orleans neighborhoods through history.
1st installation series: Mid City, corner Banks and Broad.

Inductive with Ann Schwab
March/April, 2006
Collins C. Diboll Art Gallery, 4th floor Monroe Library,
Loyola University, New Orleans

left: Passing, car door, projection, 2006

Mummy's Dance
video installation with Nique LaTransome at Salon du Beau Monde August 2004
Julia Street, New Orleans

Cineplasty
Waiting Room Gallery, New Orleans, 2003

left: still from Big Shtick, 2003